GLEDALIŠKI PRIZOR (snemano v KC Mostovna) // THEATRICAL SCENE (shot in KC Mostovna)
‘Gledališki prizor’ je kreativna delavnica v kateri je potrebno najprej napisati tekst, za katerega je izhodišče: gledališka vaja na odru – in nato to v enem tednu posneti, zmontirati in zvočno urediti v celoto. Posamezen avtor_ica ima za snemanje na voljo 1 dan. Vsi študentje se spoznajo s posameznim tehničnim in kreativnim delom v snemalni ekipi, saj vsak avtor sestavi svoj produkcijski team. Študentje sodelujejo v projektu tudi kot igralci, saj tako spoznajo način izražanja pred kamero. Projekt je bil zaradi korone izveden tik pred začetkom 2. letnika. // ‘A theatrical scene’ is a creative workshop in which it is necessary at first to write a text for which the starting point is: a theatrical rehearsal on stage – and then record, edit and sound it into a whole in one week. An individual author has 1 day to record. All students get acquainted with individual technical and creative work in the recording team, as each author puts together his own production team. Students also participate in the project as actors, as they learn how to express themselves in front of the camera. The project was realized just before this study year because of corona situation.
| Sodelujoče_i študentke_je // Participating students: Wadha Amoor, Nika Karner, Martin Lozej, Jelena Cambj, Yevheniya Lyubchyk, Tijana Mijušković, Luka Mavrič, Nikola Đorđević, Kristian Petrovčič, Renee Stanič, Matej Rimanić, Una Savić
Mentorji // Mentors: Boštjan Vrhovec, Martin Turk, Boštjan Perovšek, Radovan Čok, Matjaž Jankovič
Zakulisje delavnice // Behind the scenes
Staž Zupanc
Nika Karner
Sprva mislimo, da gledamo nek stari noir film, a kmalu izvemo da smo le na delovnem mestu samega filma. Direktor je zelo zahteven in mu počasi zmanjkuje potrpljenja, dokler mu ne poči film. // At first we think we’re watching an old noir film, but then quickly realize we’re on the set of the film. The director is very demanding and is slowly losing his patiance, until he loses it.
Renee Stanič
V filmu nastopajo štiri osebe, sprva vidimo samo dve na odru, kateri se pogovarjata, nato zgodbo popeljem v večji prostor, kjer gledalec vidi, da je vse skupaj gledališka predstava. Med osebami imamo več konfliktov, predvsem med glavnim igralcem ter režiserjem. Konec pa zaključim z tem, da režiser povleče za nos vse v dvorani s svojo potegavščino. // There are four people in the film, at first we only see two of them talking on stage, I take the story to a larger space where the viewer sees it, it’s a theatrical performance. We have several conflicts between people, especially between the main actors and director. In the end, however, I concluded with director’s prank to all of the staff.
Una Savić
Vaja za gledališko predstavo gre po zlu, po tem ko sodelujoči izvejo da ne bodo plačani. //A theatre rehearsal goes bad after participants realize they won’t be paid.
Martin Lozej
Kariera igralca visi na nitki, ko se poskuša prebiti skozi majhno gledališko predstavo, pri čemer spozna, da dobro ime svojega očeta mu pri temu ne bo pomagalo. // An actor’s career hangs in the balance as he tries as he tries to fiddle his way through a small theatrical feature, coming to the realisation his father’s good name won’t help him in the long run.
